Concerto Plural: Mastering ‘Concerto,’ ‘Concertos,’ & ‘Concerti’

Understanding the plural forms of words borrowed from other languages, like “concerto,” can be tricky for English speakers. While English has its own set of pluralization rules, words of foreign origin often retain their original plural forms, leading to multiple valid options.

This article provides a comprehensive guide to the plural of “concerto,” exploring both the anglicized form and the original Italian form. Whether you’re a music enthusiast, a language learner, or simply curious about grammar, this detailed explanation will equip you with the knowledge to confidently use the correct plural form in any context.

Introduction

The English language, a melting pot of various influences, often borrows words from other languages. These borrowed words, while enriching our vocabulary, can sometimes present challenges when it comes to pluralization.

“Concerto,” an Italian term referring to a musical composition, is a prime example. Should we use the regular English plural “concertos,” or retain the Italian plural “concerti”?

This article delves into the intricacies of this linguistic question, providing a clear and comprehensive guide to understanding and using the correct plural form.

Mastering the pluralization of words like “concerto” is crucial for accurate and effective communication, particularly in formal writing and academic contexts. By understanding the rules and conventions, you can avoid common errors and demonstrate a strong command of the English language.

This guide is designed for language learners, music enthusiasts, and anyone seeking to improve their grammatical accuracy.

Definition of Concerto

A concerto is a musical composition, typically in three movements, in which one solo instrument (or occasionally more than one) is accompanied by an orchestra. The term “concerto” comes from the Italian word concertare, meaning “to contend or cooperate.” This reflects the interplay between the soloist and the orchestra, a defining characteristic of the concerto form. Concertos are a staple of classical music repertoire, showcasing both the virtuosity of the soloist and the collaborative power of the ensemble.

The concerto emerged during the Baroque period and has evolved through various musical eras, including the Classical, Romantic, and modern periods. Famous composers like Bach, Mozart, Beethoven, and Tchaikovsky have contributed significantly to the concerto literature.

The form allows for a wide range of expressive possibilities, from dramatic and virtuosic displays to lyrical and introspective moments.

Structural Breakdown of Pluralization

The pluralization of nouns in English generally involves adding “-s” or “-es” to the singular form. However, words of foreign origin, particularly those from Latin and Italian, often retain their original plural forms.

This can lead to multiple valid plural forms for a single word. In the case of “concerto,” we have two options: the anglicized form “concertos” and the Italian form “concerti.” Understanding the etymology and historical usage of these forms is key to using them correctly.

The English pluralization rule is straightforward: add “-s” to most nouns. However, for nouns ending in -o, -s, -x, -ch, or -sh, we typically add “-es.” The word “concerto,” ending in “-o,” might lead one to believe that “concertoes” would be the correct plural.

However, due to its Italian origin, the pluralization follows a different pattern, allowing for both “concertos” and “concerti.” The Italian plural, “concerti,” follows the Italian rule of changing the “-o” ending to “-i” for masculine nouns.

Types or Categories of Plural Forms

Anglicized Plural: “Concertos”

The anglicized plural, “concertos,” is formed by simply adding “-s” to the singular form “concerto.” This is the more common and widely accepted plural form in general English usage. It is considered grammatically correct and is often preferred in less formal contexts.

Using “concertos” avoids any potential confusion or perceived pretentiousness that might arise from using the Italian plural.

Italian Plural: “Concerti”

The Italian plural, “concerti,” retains the original Italian pluralization rule, where the “-o” ending is changed to “-i” for masculine nouns. This form is considered grammatically correct, particularly in musical contexts or when discussing Italian musical terminology.

While “concerti” is acceptable, it’s important to be mindful of your audience and the overall tone of your writing. In general English, “concertos” is often preferred for clarity and accessibility.

Examples of Usage

Examples Using “Concertos”

The following table provides examples of how to use “concertos” in various sentences. This is the more common and widely accepted plural form.

Sentence Context
The orchestra performed three concertos last night. Describing a performance
Beethoven wrote five piano concertos. Discussing a composer’s works
She enjoys listening to violin concertos. Expressing personal preference
The music school offers courses on the history of concertos. Academic context
They are rehearsing several concertos for the upcoming festival. Describing preparation for an event
His favorite composers are known for their beautiful concertos. Expressing appreciation for composers
The conductor selected four concertos for the program. Describing a conductor’s decision
Many famous violinists have recorded the Mendelssohn concertos. Discussing recordings
The audience applauded enthusiastically after each of the concertos. Describing audience reaction
The library has a vast collection of scores for various concertos. Describing a library collection
The music critic praised the orchestra’s interpretation of the concertos. Describing a music review
We attended a concert featuring two Mozart concertos. Describing a concert experience
The student is studying the structure of different concertos. Describing academic study
The festival will showcase a variety of contemporary concertos. Announcing a festival program
The radio station often plays excerpts from famous concertos. Describing radio programming
She has a collection of CDs featuring different piano concertos. Describing a personal collection
The book explores the evolution of concertos from the Baroque period to the present day. Describing a book’s content
The competition requires participants to perform selected concertos. Describing competition rules
The museum displayed original manuscripts of several famous concertos. Describing a museum exhibit
The seminar focused on the performance practice of Baroque concertos. Describing a seminar topic
The composer’s early works included several notable concertos. Describing a composer’s early work
The recording studio was used to produce albums of popular concertos. Describing recording studio use
The concert hall is renowned for its acoustics, perfect for performing concertos. Describing a concert hall
The professor lectured on the stylistic differences between classical and romantic concertos. Describing a lecture
The musicologist analyzed the harmonic structure of various concertos. Describing musicological analysis
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Examples Using “Concerti”

The following table provides examples of how to use “concerti” in sentences. This form is more common in musical contexts and when discussing Italian musical terminology.

Sentence Context
The program featured Bach’s Brandenburg concerti. Referring to a specific set of works
He is writing a paper on the influence of Vivaldi’s concerti. Discussing musical influence
The ensemble specializes in performing Baroque concerti. Describing an ensemble’s focus
The musicologist analyzed the structure of several Corelli concerti. Academic analysis
They are studying the performance practices of early concerti. Describing musical research
The performance included a selection of Handel’s concerti grossi. Describing a performance
The book discusses the evolution of the concerti form in the Baroque era. Discussing musical history
The recording showcased a collection of rare Italian concerti. Describing a recording
The seminar focused on the interpretation of Scarlatti’s concerti. Describing a seminar topic
The archive contains original scores of several Telemann concerti. Describing an archive’s contents
The course explores the development of concerti in the 18th century. Describing a course
The lecture covered the stylistic features of Venetian concerti. Describing a lecture
The project aims to catalogue all known Vivaldi concerti. Describing a research project
The festival celebrates the tradition of Italian Baroque concerti. Describing a festival
The CD features performances of lesser-known concerti. Describing a CD
The article examines the use of counterpoint in Bach’s concerti. Describing an article
The exhibition included manuscripts and instruments related to early concerti. Describing an exhibition
The workshop focused on the ornamentation practices in Baroque concerti. Describing a workshop
The conference addressed new perspectives on the analysis of concerti. Describing a conference
The publication presents a comprehensive overview of concerti grossi. Describing a publication
The performance featured the rarely heard Geminiani concerti. Describing a performance
The research investigated the impact of Italian concerti on European music. Describing research
The study analyzed the melodic structure of Vivaldi’s concerti. Describing a study
The museum showcases a collection of artifacts related to famous concerti composers. Describing a museum exhibit
The symposium discussed the challenges of performing early concerti on modern instruments. Describing a symposium

Comparison Table: “Concertos” vs. “Concerti”

The following table offers a comparison of the two plural forms, highlighting their usage contexts and providing example sentences.

Form Usage Context Example Sentence
Concertos General English; less formal contexts; avoids potential confusion. The orchestra will perform three Mozart concertos.
Concerti Musical contexts; discussing Italian musical terminology; Baroque music. The program featured a selection of Vivaldi’s concerti.
Concertos When referring to modern works or a mix of works from different periods. She enjoys listening to both classical and contemporary concertos.
Concerti When specifically referencing a set of works known by their Italian title, e.g., Corelli’s concerti grossi. The ensemble is renowned for its performances of Corelli’s concerti grossi.
Concertos In academic writing aimed at a general audience. The article explores the development of piano concertos in the 19th century.
Concerti In specialized musicological writing, especially when discussing Baroque or Italian works. The analysis focuses on the harmonic language of Bach’s Brandenburg concerti.
Concertos When the context requires clarity and accessibility for a wider readership. The concert series will feature a diverse range of concertos from different eras.
Concerti When the speaker or writer wishes to emphasize the Italian origin and musical tradition. The exhibition celebrates the rich history of Italian concerti.
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Usage Rules

The choice between “concertos” and “concerti” depends largely on context and personal preference. However, some general guidelines can help you make the right decision. In general English usage, “concertos” is the more common and widely accepted form. It is always grammatically correct and avoids any potential for confusion. “Concerti” is more appropriate in musical contexts, particularly when discussing Italian musical terminology or specific sets of works known by their Italian titles (e.g., concerti grossi).

When writing for a general audience, “concertos” is usually the safer choice. It ensures clarity and accessibility for readers who may not be familiar with Italian musical terms.

However, if you are writing for a specialized audience of musicians or musicologists, “concerti” may be more appropriate, as it demonstrates a familiarity with the field’s conventions. Consistency is key.

Once you choose a form, stick with it throughout your writing.

Common Mistakes

A common mistake is using “concertoes” as the plural form. This is incorrect, as “concerto” is not a typical English noun and does not follow the standard English pluralization rule for words ending in “-o.” Another mistake is using “concerti” in a general context where “concertos” would be more appropriate.

This can sound pretentious or overly formal. It’s also important to avoid mixing the two forms within the same piece of writing, as this can create confusion and inconsistency.

Correct vs. Incorrect Examples

Incorrect Correct Explanation
The orchestra played two concertoes. The orchestra played two concertos. “Concertoes” is not a valid plural form.
She enjoys listening to concerti. She enjoys listening to concertos. “Concertos” is more appropriate in general English.
He wrote several concertos and concerti. He wrote several concertos. OR He wrote several concerti. Maintain consistency in your choice of plural form.
The program included a selection of Bach concerto. The program included a selection of Bach concertos. OR The program included a selection of Bach concerti. The singular form “concerto” cannot be used when referring to multiple compositions.
The musician is known for his interpretation of the Vivaldi concerto. The musician is known for his interpretation of the Vivaldi concertos. OR The musician is known for his interpretation of the Vivaldi concerti. The singular form “concerto” cannot be used when referring to multiple compositions by Vivaldi

Practice Exercises

Exercise 1: Choose the Correct Plural Form

Select the correct plural form (“concertos” or “concerti”) for each sentence.

Question Answer
1. The orchestra will perform three Mozart __________. concertos
2. The program featured a selection of Vivaldi’s __________. concerti
3. She enjoys listening to violin __________. concertos
4. The ensemble specializes in Baroque __________. concerti
5. Beethoven wrote five piano __________. concertos
6. The performance included Handel’s __________ grossi. concerti
7. He is studying the history of __________ in the 18th century. concertos
8. The recording showcased a collection of rare Italian __________. concerti
9. The music school offers courses on the analysis of __________. concertos
10. The festival will feature a variety of contemporary __________. concertos

Exercise 2: Fill in the Blanks

Fill in the blanks with the correct plural form (“concertos” or “concerti”).

Question Answer
1. The library has a vast collection of scores for various __________. concertos
2. The seminar focused on the interpretation of Scarlatti’s __________. concerti
3. Many famous violinists have recorded the Mendelssohn __________. concertos
4. The archive contains original scores of several Telemann __________. concerti
5. The conductor selected four __________ for the program. concertos
6. The course explores the development of __________ in the Baroque era. concerti
7. The music critic praised the orchestra’s performance of the __________. concertos
8. The lecture covered the stylistic features of Venetian __________. concerti
9. The student is studying the structure of different __________. concertos
10. The project aims to catalogue all known Vivaldi __________. concerti

Exercise 3: Sentence Completion

Complete the following sentences using either “concertos” or “concerti” in a grammatically correct and contextually appropriate manner.

Question Answer
1. The summer music series will present a diverse range of __________, showcasing both established masterpieces and new compositions. concertos
2. Scholars often study Bach’s Brandenburg __________ to understand the evolution of the Baroque concerto form. concerti
3. The virtuoso violinist stunned the audience with her dazzling performance of several challenging __________. concertos
4. The ensemble is dedicated to preserving and performing rarely heard __________ from the Italian Baroque period. concerti
5. The composer’s early works, while not as well-known, include several innovative __________, demonstrating his emerging talent. concertos
6. The performance featured a collection of Handel’s __________, highlighting his contributions to the concerto grosso genre. concerti
7. The musicologist’s research focused on the influence of Italian __________ on the development of the classical symphony. concerti
8. The recording artist released an album featuring her interpretations of some of the most beloved piano __________. concertos
9. The festival program included a lecture on the historical context and performance practice of __________ during the 17th century. concerti
10. The museum displayed original manuscripts of several famous __________, offering visitors a glimpse into the creative process of the composers. concertos
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Advanced Topics

For advanced learners, it’s worth exploring the nuances of using “concertos” and “concerti” in different academic fields. In musicology, the choice may depend on the specific subfield and the focus of the research.

When discussing the historical development of the concerto form, “concerti” may be preferred to emphasize the Italian origins. However, when analyzing the structural elements of concertos from various periods and countries, “concertos” may be more appropriate.

Furthermore, understanding the historical usage and evolution of the term “concerto” itself can provide valuable insights into its pluralization.

Another advanced topic is the use of loanwords and their pluralization in general. English has borrowed words from numerous languages, each with its own set of pluralization rules.

Understanding these rules and the factors that influence the adoption of foreign plurals can enhance your overall command of the English language. Consider researching other examples of nouns with multiple plural forms, such as “curriculum” (curricula/curriculums) and “index” (indices/indexes), to further expand your knowledge.

FAQ

  1. Is “concertoes” a correct plural form?

    No, “concertoes” is not a correct plural form. The correct plural forms are “concertos” and “concerti.” “Concertoes” incorrectly applies standard English pluralization rules to a word of Italian origin.

  2. When should I use “concertos” instead of “concerti”?

    You should use “concertos” in general English usage, less formal contexts, or when you want to avoid potential confusion. It’s the more common and widely accepted form for a general audience.

  3. When is it appropriate to use “concerti”?

    It is appropriate to use “concerti” in musical contexts, particularly when discussing Italian musical terminology or specific sets of works known by their Italian titles (e.g., concerti grossi). It’s also suitable for specialized audiences of musicians or musicologists.

  4. Is one form more grammatically correct than the other?

    Both “concertos” and “concerti” are grammatically correct. The choice depends on the context and intended audience. “Concertos” is generally considered safer for a broader audience, while “concerti” is acceptable and sometimes preferred in specialized musical contexts.

  5. Can I use “concerti” when referring to concertos by non-Italian composers?

    While technically acceptable, it’s generally more appropriate to use “concertos” when referring to concertos by non-Italian composers, especially in general English. Using “concerti” in this context might sound overly formal or pretentious.

  6. Should I be consistent with my choice of plural form?

    Yes, consistency is key. Once you choose a plural form, whether “concertos” or “concerti,” stick with it throughout your writing to avoid confusion and maintain a professional tone.

  7. Are there other musical terms with similar pluralization rules?

    Yes, many musical terms of Italian origin follow similar pluralization rules. For example, “libretto” has the plural forms “librettos” and “libretti,” and “tempo” has “tempos” and “tempi.”

  8. How can I improve my understanding of foreign pluralization rules in English?

    To improve your understanding, study the etymology of loanwords and their original pluralization rules. Pay attention to the context in which different plural forms are used and consult style guides for recommendations on preferred usage. Reading widely and observing how native speakers use these words can also be helpful.

  9. Is it ever acceptable to mix “concertos” and “concerti” in the same text?

    Generally, no. Mixing the two forms in the same text can be confusing and is not recommended unless there is a very specific and justifiable reason, such as when quoting another source that uses a different form.

  10. What if I’m unsure which plural form to use?

    If you’re unsure, “concertos” is the safer and more widely accepted choice. It is almost always appropriate and avoids any risk of sounding pretentious or confusing your audience.

Conclusion

Understanding the pluralization of “concerto” – whether to use “concertos” or “concerti” – requires a nuanced understanding of English grammar, etymology, and context. While both forms are grammatically correct, “concertos” is generally preferred in general English usage for its clarity and accessibility.

“Concerti” is more appropriate in musical contexts, particularly when discussing Italian musical terminology or specific sets of works known by their Italian titles. The key takeaway is to choose a form and maintain consistency throughout your writing.

By mastering these rules and considering your audience, you can confidently and accurately use the plural form of “concerto” in any situation. Remember to consult style guides and pay attention to the context in which these words are used.

With practice and attention to detail, you can avoid common mistakes and demonstrate a strong command of the English language. Keep exploring the fascinating world of grammar and language to enhance your communication skills.

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